birth of an era
home concert
rock clubs
rock legends
meaning and impact
This is a colorful and important period in the history of Russian musical culture, coming at a time of significant social and political change. It was a time when young people sought to find their voice and express their thoughts, feelings and ideals through music.
the era of Russian
birth of an era
rock legends
rock clubs
home concert

meaning and impact
path to freedom and self-expression
The cycle of bail smears like soot,
I take someone's hand, but feel an elbow,
Isearch for eyes, but feel a gaze
Where above one's head is another one's behind
Beyond the red sunrise is a pink sunset.

Сhained together, bound together by a single purpose.
Сhained together, bound together
The golden era of Russian music, where the hymns of generations were born and new ideas were born. In this era, every note was charged with meaning, every string penetrated the soul, and every word remained in our hearts for eternity
go back to the 1960s, when musicians began to search for new forms of expression, deviating from the official Soviet ideological course.
The beginning of this trend was, oriented on the Western music collectives and groups,
formed at that time beat groups performed Western hits with translation into Russian.
The most famous beat bands
In 1965 the band "Sokol" composed their own lyrics, which can be said and became the progenitor of the whole powerful and popular current.
Yes, we all know this band from the famous cartoon and the song from it....
birth of an era
Olovyannye solditiki
The origins of the Russian rock era
official vocal and instrumental ensembles
Their repertoire was approved by a variety of arts councils, agreed upon before each performance.
official vocal and instrumental ensembles released records, gathered huge halls, performing cover versions of foreign bands.
"independent" collectives
Much more popular among young people, but officially banned.
Amateur performers did not have the right to perform in official concert halls, to release records, but usually such groups were simply attached to universities and performed at their venues.
THE Soviet
rock scene
was divided into
with their leader Boris Grebenshchikov, which appeared in the early 1970s, made a significant contribution to shaping the music scene.
ГThe band represented a new sound and context for young people and spoke out against conformity. They ignored official standards and sang about
and philosophical reflections.
The lack of musical education greatly influenced the creativity of Soviet rock bands, as musicians independently mastered guitar playing and created unique effects, which later became traditional in rock, but in the 60-70s were characteristic only for the Russian scene.
In the USSR era, lyrics in Russian rock went beyond the musical accompaniment and acquired a special meaning; they became a symbol of forbidden freedom of thought and a means of protest disguised as metaphors and allegories to avoid censorship.
I woke up in the figures of the angelic wings,
High above the ground, where I have lived for so long.
Heavenly creatures carry my bed,
Raven bird Sirin and corncrake.
The land lay like a bride,
With that being drunk lifted the crown,
Lovely and clean, but in the eyes
Special skorbets.
of the lyrics makes Russian rock a unique phenomenon, where vocabulary and meanings are as important as the music and sometimes even come to the forefront.
They inherit a poetic and philosophical depth that makes them an important tool for self-expression and cultural reflection, allowing listeners to find in them a reflection of their own thoughts and feelings.
For example, one of the most popular venues for rock concerts in Moscow in the 70s was the "Energetic" CD of the Moscow Power Engineering Institute, and in Leningrad, "Home concert" were widespread.
- small runs of music albums on magnetic tape, which were distributed by copying to fans, allowing Soviet artists to bypass the Melodiya monopoly and release music economically.
magnetic album
text-centered approach
The versatility and intellectual richness
Home concert
- acoustic concerts for a small circle of fans and colleagues. The home concerts offered an intimate and relaxed environment where musicians and their fans could meet face to face, share their energy and passion for music.
The performances were cozy, warm and often had an informal format where attendees were free to chat, sing along and chant along with the performer.
They became a symbol of freedom of expression, resistance and organized illegal cultural activities.
It was one of the few ways for musicians to share their music with the public and at the same time avoid censorship and negative reactions from the authorities.
Home concert, |
rock clubs
Rock clubs became the lifeblood of creativity and freedom. They gave fans a space where they could see their idols and feel a sense of belonging to the movement. It was from them that Russian rock made its way.
Clubs were more than just music venues: they were centers of fashion and new trends, where different streams of musical and cultural movement met, it was a place where new musical trends, new styles and even new social ideas were born.
New music trends were discussed here, lectures about foreign bands were held, rock festivals and contests were organized.
to legally record and give concerts for the first time, and for authorities to keep rockers under surveillance
One of the first and most famous rock clubs in the USSR was the Leningrad Rock Club, founded in 1981. Its history symbolizes
an era of change in Soviet culture, expressed in the official recognition of the existence of rock and its popularity among young people.
Despite the delay, the need for an official platform for the development of rock in the capital was obvious. The Moscow Rock Laboratory was founded in 1986, during the period of stagnation and shortly before the beginning of perestroika, at a time when ideological control over culture was weakening.
The Moscow Rock Laboratory provided its stage for many famous performers such as «Krematorij», «Zvuki Mu», «Nogu svelo!», «Al'yans» and many others. The organization of rock festivals, such as Rock Panorama, became a cult event for Soviet youth and contributed to the growing popularity of rock music at the all-Union level.
In the same year rock clubs appeared in other cities of the USSR. Sverdlovsk with the Sverdlovsk Rock Club, Rostov-on-Don and the Rostov Rock Club established in the same year became the centers of rock culture.
These and many other clubs in different cities became centers of local rock culture, facilitating the exchange of ideas and creative interaction between musicians from different regions.
Journal of Moscow Rock Laboratory
THE Leningrad Rock Club
THE Moscow Rock Laboratory
The Leningrad Rock Club was perhaps the most famous Soviet club of the time - the cradle from which such bands as "Akvarium", "Kino", "Alisa", "Zoopark", "Strannye igry" and many others emerged.
We can count about 150 groups that have been LRC residents at various times.
However, the rock club was engaged not only in purely concert activities, but even organized festivals. The first of them took place in 1983, and from then until the rock club was closed it was held annually.
Rock clubs made it possible for rock bands
rock legends
iconic Soviet rock band formed in 1982 in Leningrad with leader Viktor Tsoi. They mixed post-punk and rock and roll, becoming known in the 1980s for songs about freedom and protest. Their albums "45", «Gruppa krovi» and «Chernyj al'bom» are their most famous.
DDT is a Russian rock band founded in 1980 in Ufa, whose frontman and vocalist is Yuri Shevchuk. The band is known for its socio-political lyrics and protest songs.
DDT has established itself as a leading force in the Russian rock movement, remaining popular and relevant for decades.
Alisa is a Russian rock band founded in 1983 in Leningrad.
The band's leader and founder is vocalist and guitarist Konstantin Kinchev. The band's music combines elements of hard rock, heavy metal and psychedelia. Alisa's lyrics often have philosophical and metaphorical overtones.
Nautilus Pompilius is a Russian rock band formed in 1982 in Sverdlovsk, Russia. The band performs postpunk and new wave music. Their lyrics often touch on social and philosophical themes.
Their music often combines elements of punk, hard rock and underground aesthetics. The band's lyrics are often influenced by social and political agitation. The band has attracted widespread attention for their distinctly nonformist and protest approach to music.
Grazhdanskaya oborona is a Russian rock band founded in 1984 by Yegor Letov. They became one of the most influential and popular rock bands in the USSR and Russia in the late 1980s and early 1990s.
meaning and impact
Project creator
Veronika Romanova
Overall, the era of Russian rock continues to influence
The site was created as part of a course on creative layout and animation by Anya Melnik
All materials on the site are used for non-commercial, educational purposes and belong to their owners.
Russian rock has had a profound influence on Russian culture and music, reflecting society's desire for freedom and new ideas.
This musical movement united people across generations and left behind a legacy of iconic works and performers.
Russian rock has also stimulated the development of an independent music industry and infiltrated literature, cinema and fashion, inspiring the creation of works of art and dictating stylistic trends.
listen to the playlist
Russian rock remains alive, maintaining its
the cultural life of the country and inspire new generations. Its history and legacy are still a significant part of Russia's cultural identity, reflecting the spirit of the time and people's aspirations.
important place in the cultural landscape and continuing to be a companion to social change.
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